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Driant Zeneli: Visual Archive
Driant Zeneli: Visual Archive consists of photographs, drawings, and extracts from Zeneli’s personal collection of the trilogy Beneath a surface there is just another surface (2015 – 2019)
Mario and his aircraft, 2016.
The ex-factory of Metalurgjik “Çeliku i Partisë” in Elbasan, around 1970s.
Driant Zeneli, Towards Eridan’s Epsilon, 2018-2474, colored drawings on paper, 17 x 25 cm, 2018
“Qyteti ishte një pleksje e ngatërruar ndërtimesh nga më të ndryshmet / The city was a confusing mingling of constructions of various kinds”
– Arion Hysenbegas, On the way to Epsilon Eridani, p. 257
Backstage of “It would not be possible to leave planet earth unless gravity existed”, Mario at the Metalurgjik, Elbasan, 2015. Photograph: Valentina Bonizzi
Isuf Sulovari, Gjigandi i Metalurgjisë, 1974, 172 x 134 cm Collection of the National Gallery of Arts, Tirana
On the way to Epsilon Eridani, 1983, by Arion Hysenbegas
Driant Zeneli, Towards Eridan’s Epsilon, 2018-2474, colored drawings on paper, 17 x 25 cm, 2018
“Unë ende nuk isha ngritur plotësisht në këmbë. / I still wasn’t fully standing on my feet.”
– Arion Hysenbegas, On the way to Epsilon Eridani, p. 159
![Mario [on the right, with crossed arms] with his friends; sharing his passion for the military aircraft, 1999.](https://www.eva.ie/wp-content/uploads/2020/09/8.jpg)
Mario [on the right, with crossed arms] with his friends; sharing his passion for the military aircraft, 1999.
Backstage of “It would not be possible to leave planet earth unless gravity existed”, Mario, Bujar, and Flora at the Metalurgjik, Elbasan, 2015. Photograph: Valentina Bonizzi
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